Schedules · 2018
thu
29
mar
20:00
CNSMD Lyon, Amphithéâtre Darasse
As part of Conservatoire National Supérieur Musique et Danse de Lyon´s "Journées de l’improvisation Musique ancienne", Currentes is proud to share a lecture recital on improvisation of polyphony in different styles of Ars Nova. The concert is a collaboration between the ensemble, CNSMD and the University of Bergen. The concert takes place in the incredible Amphithéâtre Darasse. We thank in particular Barnabé Janin for his work with us over the past 3 years, and his guest appearance in the performance.
tue
02
may
12:40
University of Bergen, Aula
The project "Wheels within Wheels", in which Currentes is a partner, contributes to the Christie Conference with the performance (In)tolerance. See the whole performance here.
sun
27
may
21:00
St. Mary´s Church, Bergen
"Mouvance I. Mass." The first of three concerts with Currentes and "Wheels within Wheels" for Bergen International Festival.
mon
28
may
19:00
T-Michael, Bergen
"Mouvance II. Intonation." The second of three concerts with Currentes and "Wheels within Wheels" for Bergen International Festival. The concert takes place in T-Michaels´ shop at Tårnplass.
tue
29
may
19:30
Håkon´s Hall, Bergen
"Mouvance III. Distortion." The third of three concerts with Currentes and "Wheels within Wheels" for Bergen International Festival..
wed
30
may
17:00
Østre, Bergen
Performance with Currentes and "Wheels within Wheels" in Ruben Sverre Gjertsen´s sound installation, as introduction to a conversation between "Wheels within Wheels" and the philosopher Lydia Goehr..
sat
02
jun
19:00
Igreja Santa Bárbara de Nexe
Currentes performs a programme of British baroque music, including songs by Turlough O´Carolan, Matthew Locke and Henry Purcell.
thu
27
sep
20
Kronstad Hovedgård
"Tiggeropearaen". Currentes offers a lecture recital about "A Beggar´s Opera", including performance of several of its Ballads.
sun
21
oct
13:00
Fana church
As part of the University of Bergen´s Medieval week, Currentes performans a mass program consisting of polyphonic compositions to the ordinary of the mass, and the ensemble´s improvisations and arrangements of the proper of the mass in an Ars Nova style..